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Bach Bibliography Search Result |
Author : A. M.Your search has generated the following results ...
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| Type | List | Author  | Title [further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|---|
 | 1. | Agricola, Martin | Musica Instrumentalis Deutsch. | 295p | |||||
| | 2. | Chastellux, François-Jean Marquis de | Essai sur l'union de la poésie de la musique. | 94p | |||||
 | 3. | Schmidt, Gustav Martin (arr.) | Sinfonie ou Suite à grand Orchestre composée par Jean Sebastian Bach | 27p | |||||
 | 4. | A. M. | John Sebastian Bach (From Grove's 'Dictionary of Music and Musicians'). | DwightJM | 37 | 24 | 187-188 | ||
| | 5. | A. M. | John Sebastian Bach (From Grove's 'Dictionary of Music and Musicians'. Concluded from page 188). Bach-Gesellschaft. | DwightJM | 37 | 25 | 193-195 | ||
| | 6. | Schmidt, Gustav Martin (arr.) | Suite No. 1-3 für Orchester componirt von Johann Sebastian Bach | EdPeters | 226 | 72p | |||
| | 7. | Henderson, A. M. (ed.) | Fugue G minor / Bach. | GemsOrg | 5 | ||||
| | 8. | Henderson, A. M. (ed.) | Siciliano from 2nd flute and piano sonata / Bach. | GemsOrg | 5 | ||||
| | 9. | Henderson, A. M. (ed.) | Prelude and fugue in E minor / Bach. | GemsOrg | 5 | ||||
| | 10. | Henderson, A. M. (ed.) | Choral prelude 'Vater unser im Himmelreich' (Our Father which art in Heaven) / Bach. | GemsOrg | 5 | ||||
| | 11. | Henderson, A. M. (arr.) | Herzlich thut mich verlangen. (My heart and my flesh cry out for the living God). CHORAL PRELUDE BY BACH. | 4-5 | |||||
| | 12. | Henderson, A. M. (arr.) | Erbarm dich mein, O Herre Gott. (Have mercy upon me, O Lord). CHORAL PRELUDE BY BACH. | 6-8 | |||||
| | 13. | Henderson, A. M. (arr.) | Liebser Jesu, wir sind hier. (Blessed Jesus we are here). CHORAL PRELUDE BY BACH. | 9 | |||||
| | 14. | Henderson, A. M. (arr.) | Es ist das Heil uns kommen her. (How is salvation come unto us). CHORAL PRELUDE BY BACH. | 10-11 | |||||
| | 15. | Henderson, A. M. (arr.) | Ich ruf' zu dir, Herr Jesu Christ. (O Lord my God, I cry to Thee). CHORAL PRELUDE BY BACH. | 12-13 | |||||
| | 16. | Henderson, A. M. (arr.) | Herr Gott nun sei gepreiset. (We praise Thee O God). CHORAL PRELUDE BY BACH. | 14-15 | |||||
| | 17. | Henderson, A. M. (arr.) | Wachet auf ruft uns die Stimme. (Wake, awake for night is flying). CHORAL PRELUDE BY BACH. | 16-19 | |||||
| | 18. | Henderson, A. M. (arr.) | O Mensch bewein' dein' Sünde gross. (O man bewail thy heavy sin). CHORAL PRELUDE BY BACH. | 20-23 | |||||
| | 19. | Henderson, A. M. (arr.) | Eight organ chorale-preludes / BACH. | SchirmerLib | 1087 | 23p | |||
| | 20. | Zadora, Michael (arr.) | Konzert für Orgel / Wilhelm Friedemann Bach. | ||||||
| | 21. | Henderson, A. M. (arr.) | Selected Movements from the Orchestral Suites / Bach | 19p | |||||
| | 22. | Zadora, Michael (arr.) | Siciliano (aus der Es dur-Sonate für Pianoforte und Flöte) / Johann Sebastian Bach. | 3p | |||||
| | 23. | Zadora, Michael (arr.) | Orgelchoral (In dulci jubilo) / Johann Sebastian Bach. | 3p | |||||
| | 24. | Henderson, A. M. (arr.) | Selected Pieces from the Organ Works and Chamber Music / BACH. | 63p | |||||
| | 25. | Zadora, Michael | Aria (G-Dur) aus der Matthäus-Passion | 7p | |||||
| | 26. | Zadora, Michael (arr.) | Präludium und Fuge in A moll von Joh. Seb. Bach. | 7p | |||||
| | 27. | Zadora, Michael (arr.) | Präludium und Fuge in D moll von Joh. Seb. Bach. | 9p | |||||
| | 28. | Henderson, A. M. (arr.) | Selected pieces from Early classic masters. | 35p | |||||
| | 29. | Ushiyama, Mitsuru | Ongaku Kansho no Chishiki. | 470p | |||||
| | 30. | Henderson, A. M. (ed.) | 23 Organ Chorale Preludes / BACH. | 58p | |||||
| | 31. | Henderson, A. M. (ed.) | An introduction to Bach for the organ. | 68p | |||||
| | 32. | Henderson, A. M. (ed.) | Lord Jesu Christ, with us abide ... Chorale for voices in unison ... | ||||||
| | 33. | Henderson, A. M. (arr.) | Wake, awake! for Night is flying = Wachet auf! ruft uns die Stimme: chorale for voices in unison from the church cantata 'Sleepers, wake!' / Bach | 8p | |||||
| | 34. | Goodhart, A. M. | Suggestions for the Pianoforte Accompaniment of Choral Singing. | MTimes | 72 | 1056 | 155-156 | ||
| | 35. | Gifford, A. M. | Bach on the Modern Organ. | MTimes | 74 | 1088 | 934 | ||
| | 36. | Henderson, A. M. (ed.) | Popular pieces for piano / Bach. | 36p | |||||
| | 37. | Škerjanc, Lucijan Marija | J. S. Bach (Ob 250 letnici rojstva.) | Jutro | 16 | 67 | 6 | ||
| | 38. | Škerjanc, Lucijan Marija | Trije glasbeni jubileji. | NasVal | 2 | 12 | 6-7 | ||
| | 39. | Škerjanc, Lucijan Marija | G. F. Händel. | ZivljenjeSvet | 9:17 | 8, 9 | 215-219; 242-244 | ||
| | 40. | Škerjanc, Lucijan Marija | J. S. Bach. | ZivljenjeSvet | 9:17 | 12 | 329-330 | ||
| | 41. | Newman, S. T. M. [Sidney Thomas Mayow] | Bach's Motet 'Singet dem Herrn' ('Sing ye to the Lord') | ProceedRMA | 64 | 97-129 | |||
| | 42. | Iguchi, Motonari; Tsuchikawa, Masahiro; Fukui, Naotoshi (eds.) | Invention 2-Seibu to 3-Seibu / Bach = Inventionen: 15 Inventionen und 15 Symphonien. | ||||||
| | 43. | Stein, Max Martin | Erinnerungen an Karl Straube. | Kmusiker | 1 | 2 | 36-37 | ||
| | 44. | Mila, Massimo | La 'Messa in si minore' di Bach. Per soli, coro e orchestra -- Direttore: Herbert von Karajan. Mercoledì ore 21,45, Rete rossa -- Dal Teatro alla Scala di Milano. | Radiocorriere | 27 | 28 | 7 | ||
| | 45. | Bonisconti, A. M. | Terzo programma - Omaggi a Bach. Domenica, ore 21,50 - Lunedì, ore 22,25 - Martedì, ore 22,35 - Terzo programma. Subato, ore 17,20 - Rete azzurra. | Radiocorriere | 27 | 46 | 13-14 | ||
| | 46. | Zadora, Michael (arr.) | Prelude and Fugue in G minor (for organ). | 11p | |||||
| | 47. | Kada, Mariko | C. Ph. E. Bach no Chenbaro Kyosokyoku. | OngakuGaku | 14 | 1-2 | 65-75 | ||
| | 48. | Zijlstra, Miep | De Bach-cantatas in liturgisch verband. | MensMelodie | 25 | 12 | 78-80 | ||
| | 49. | Stokowska, Magdalena | Kto? Co? O muzyce i muzykach. Cietkawosti, Wiersze, Wypowiedzi, Anegdoty. | 347p | |||||
 | 50. | Murata, Margaret | Extravagant Harmony and Dissonance in Early 'Seicento' Keyboard Music: 'Stravaganze' and 'Durrezze e ligature'. | diss. | |||||
| | 51. | Zijlstra, Miep | Een vernieuwde Johannes-Passie. | MensMelodie | 28 | 115-117 | |||
| | 52. | Tsukioka, Masaaki | Kenban Gakki no Rekishiteki Soho ni tsuite. | OruganKenkyu | 1 | 13-24 | |||
| | 53. | Rideout, Sarah Margaret | Johann Sebastian Bach's solo cantatas for soprano. | diss. | |||||
| | 54. | Sicca, Mario | Note critiche sul problema delle trascrizioni per chitarra. | Fronimo | 3 | 11 | 23-25 | ||
| | 55. | Yoshida, Miwako | C.P.E. Bach no Klavier Konzert Wq.43 no gakufu kotei. | diss. | 75p | ||||
| | 56. | Kushida, Magoichi | Bunkyojo no Bach. | 174p | |||||
| | 57. | Nishihara, Minoru | Kurth kenkyu josetsu: Kurth ni okeru shinteki keiki to ongaku tetsugaku no shomondai o megutte. | diss. | 376p | ||||
| | 58. | Schmidt, Christian Martin | Über die Konzertform in späten Orgelkompositionen J. S. Bachs. | [cr]Berlin1974 | 300-302 | ||||
| | 59. | Štraub, Žan Mari [Straub, Jean-Marie] | Anna Magdalena Bach. | 35p | |||||
| | 60. | Lobanova, Marina | Muzykal'nyj stil' i zanr v epohu barokko kak problema sovremmenoj istorii kul'tury (ma primere moteta). | diss. | 23p | ||||
| | 61. | Tsukioka, Masaaki | Nitancho Toccata BWV 565 wa J. S. Bach no Orugan Kyoku ka. Peter Williams no Ronbun Shokai. | OruganKenkyu | 9 | 33-46 | |||
| | 62. | Yamashita, Michiko | Doitsu no Kenban Kumikyoku ni fukumareru Allemande: Takuto-ron no Suii kara mita Yoshiki Bunseki no kokoromi. | OngakuKenkyu | 4 | 1-36 | |||
| | 63. | Mila, Massimo | La vecchiaia di Bach. | Belfagor | 38 | 253-264 | |||
| | 64. | Nishihara, Minoru | Doitsu Keimoshugi no Ongaku Bigaku. Scheibe to 1750-Nen Zengo ni okeru 'Kanseigaku' to shite no Ongaku Bigaku no Shomondai. | BulFacMTokyoGeijutsuDaigaku | 9 | 29-53 | |||
| | 65. | Evseeva, Marina | Muzyka I.S. Baha v ispolnenii Tat'jany Nikolaevoj. | [ce]MuyzkalnoeIspolnitelstvo | 2 | ||||
| | 66. | Oyama, Mayumi | J. S. Bach no Senritsu Gakki to obligato cembalo no tame no Sonata. | OngakuGaku | 29 | 2 | 186-198 | ||
| | 67. | European American Music | The New Bach Edition. | AmerOrganist(2) | 19 | 3 | 73 | ||
 | 68. | Oyama, Mayumi | J.S. Bach no Henkyoku Giho. (Bigakkai Dai-36-Kai Zenkoku Taikai Hokoku). | Bigaku | 36 | 3 | 51 | ||
| | 69. | Lobanova, Marina | Allegorija i emblema v kantate J. S. Bacha 'O Ewigkeit, du Donnerwort' Nr. 60. | [ce]ProblemyMusykalnogoStilja | 45-62 | ||||
| | 70. | Sicca, Mario | Riflessioni di un chitarrista su alcuni problemi di articolazione nelle opere per liuto di J. S. Bach. | Fronimo | 13 | 52 | 15-24 | ||
| | 71. | Sicca, Mario | Articulation in the Lute Music of J. S. Bach. | GuitarReview | 63 | 26-31 | |||
| | 72. | Oyama, Mayumi | Gendai no Bach Kenkyu -5- Bach no Henkyoku Giho. | OngakuGeijutsu | 43 | 7 | 82-89 | ||
| | 73. | Schmidt, Christian Martin | Zur Entwicklung der Form im emphatischen Sinne: Bachs Orgelpräludium h-moll BWV 544. | Mtheorie | 1 | 3 | 195-204 | ||
 | 74. | Kawabata, Maiko | Traditions on Record: A Performance Analysis of the opening of Bach's Chaconne for Solo Violin. | [p]RMARS_Cardiff | |||||
| | 75. | Mather, Betty Bang; Karns, Dean M. | Dance Rhythms of the French Baroque: a Handbook for Performance. | xiv, 334p | |||||
| | 76. | Della Chiesa d'Isasca, Marco | Per una rilettura di Bach: Osservazioni sulla struttura e sulla interpretazione del preludio e fuga in fa maggiore (N. 11) dal primo volume del Clavicembalo ben temperato di J.S. Bach. | Eunomio | 7 | 3-10 | |||
| | 77. | Borio, Gianmario; Garda, Michela (eds.) | L'esperienza musicale: Teoria e storia della ricezione. | [ce]LEsperienzaM | v, 225p | ||||
| | 78. | Tsukioka, Masaaki | Bach no Soshoku Kigo ni tsuiteno Ichikosatsu. Orugan Sakuhin no Jitsurei o Chushin to shite. | OruganKenkyu | 17 | 1-20 | |||
| | 79. | Schmidt, Christian Martin | Stabilität und Varietät: Zum ersten Satz von Bachs viertem Brandenburgischen Konzert BWV 1049. | [fs]Kross60 | 87-94 | ||||
| | 80. | Schmidt, Christian Martin | Analyse und Geschichtsauffassung. Bachs Präludium und Fuge für Orgel BWV 552. | [fs]Stephan65 | 97-111 | ||||
| | 81. | Frolova, Marina | Igrat' li nam Baha? | MoskovskijM | 1 | 254-259 | |||
| | 82. | Carbonell Gras, Juan Miguel | Descubre la música cantando a J.S. Bach: 20 lecciones de solfeo de fácil a mediana dificultad. | 83p | |||||
| | 83. | Tokumaru, Yoshihiko; Ohmiya, Makoto; Kanazawa, et.al. (eds.) | Tradition and its future in music. [Report of the Fourth Symposium of the International Musicological Society] | [cr]Osaka1990 | 695p | ||||
| | 84. | Schmidt, Christian Martin | Analyse und Geschichtsauffassung. Bachs Präludium und Fuge für Orgel BWV 552. | MuziekWetenschap | 1 | ||||
| | 85. | Koscha, Melanie | [Betr. Int. J.-S.-Bach-Wettbewerb 1992 Leipzig]. | MKirche | 62 | 6 | 368 | ||
| | 86. | Ogawa, Masafumi | An analysis of Reinhard Keiser's St. Mark's Passion. | OitaDaigakuKGKK | 14 | 2 | 309-324 | ||
| | 87. | Inoura, Michio | 'Esutoro' ni michita Toshi, Venezia. | BCJ | 8 | ||||
| | 88. | Inoura, Michio | Itaria Ryori no koto. | BCJ | 10 | ||||
| | 89. | Della Chiesa d'Isasca, Marco | Per una rilettura di Bach: Osservazioni sulla struttura, sulle componenti stilistiche e sulla interpretazione del preludio e fuga in do diesis maggiore (n.3) dal secondo volume del Clavicembalo ben temperato di J.S. Bach. II. | Eunomio | 20 | 3-17 | |||
| | 90. | Kostakeva, Marija | Der Teufel als Symbol des totalitaren Systems: Die neuen Mythen der Sowjet-Ara am Beispiel von Alfred Schnittkes Faust-Kantate. | WortM | 18 | ii: 611-620 | |||
| | 91. | Yamashita, Michiko | 'Schütz to Schein no Yube' ni yosete. | BCJ | 13 | ||||
| | 92. | Schmidt, Christian Martin | 'Dem Höchsten Gott Allein Zu Ehren, Dem Nechsten, Draus Sich Zu Belehren'. Die musikalische Wissenschaft des Johann Sebastian Bach. | 61-87 | |||||
| | 93. | Machella, Maurizio (ed.) | Opere dubbie e spurie per organo / J. S. Bach ; 2. | 64p | |||||
| | 94. | Oyama, Mayumi | [Fukugen Kyosokyoku] BWV 1055R, 1060R, 1052R, 1053R, 1059R, 1064R. | BachZenshu | 14 | 208-211 [50-53] | |||
| | 95. | Oyama, Mayumi | Bach no Chenbaro Kyosokyoku. | BachZenshu | 14 | 211-221 [40-50] | |||
| | 96. | Taira, Maiko | Totonotta Kyokai Ongaku to iu Kyukyoku Mokuteki. | BCJ | 21 | ||||
| | 97. | Schmierer, Elisabeth; Fontaine, Susanne; Grunzweig, Werner; Brzoska, Matthias (eds.) | Töne, Farben, Formen. Über Musik und die bildenden Künste. Festschrift Elmar Budde zum 60. Geburtstag. | [fs]Budde60 | x, 369p | ||||
| | 98. | Schmidt, Christian Martin | Die Musikgeschichte des 19. Jahrhunderts kann man ohne Bach nicht schreiben. | JbStaatInstMf | 1994 | 96-109 | |||
| | 99. | Wakakuwa, Midori | Kaiga ni arawareta 'Ieru Junan' no sugata: Catholic to Protestant. | BachZenshu | 7 | 102-115 | |||
| | 100. | Nishihara, Minoru | 19-Seiki no Cembalo Fukko. | BachZenshu | 11 | 88-100 | |||
| | 101. | Marx-Weber, Magda; Marx, Hans Joachim (eds.) | Ausgewählte Aufsätze zur geistlichen Musik / Arnold Schmitz. | BeitrGesKm | 3 | viii, 346p | |||
| | 102. | Vaahtoranta, Martti | J.S.Bach und das Luthertum--eine zufallige Kombination?: Bilderverehrung und Abendmahlsanbetung bei Johann Gerhard. | 67-77 | |||||
| | 103. | Kanazawa, Masakata | Johann Sebastian Bach to Watashi. | BachZenshu | 2 | 86-95 | |||
| | 104. | Nishihara, Minoru | Bach to Keizai Seikatsu. | BachZenshu | 2 | 144-158 | |||
| | 105. | Waldura, Markus | Heinrich Christoph Koch--Hofkapellmitglied, Musiktheoretiker und Komponist. | BeitrSchwarzburgKunstKulturGes | 6 | 147-178 | |||
| | 106. | Kostek, Bozena; Szczerba, Marek; Wieczorkowska, Alicja | Musikdatenbanken: Aufbau und Analyse. | [ce]19Tonmeistertagung | 807-812 | ||||
| | 107. | Schmidt, Christian Martin (ed.) | Felix Mendelssohn Bartholdy: Kongreß-Bericht Berlin 1994. | [cr]Berlin1994 | 351p | ||||
| | 108. | Lobanova, Marina | Bild, Wort und Ton: Wie Johann Sebastian Bach Sinnbilder des Barock musikalisch umsetzte. | Orchester(Mainz) | 45 | 4 | 23-30 | ||
| | 109. | Bach Bachtischa, Michael | Die Suiten für Violoncello von Johann Sebastian Bach: Einige Gedanken zu ihrer Ausführung mit dem Rundbogen. | Orchester(Mainz) | 45 | 7-8 | 16-20 | ||
| | 110. | Jira, Martin | Musikalische Temperaturen in der Klaviermusik des 17. und frühen 18. Jahrhunderts. | WürzburgMHistBeitr | 17 | 264p | |||
| | 111. | Venezia, Mike | Johann Sebastian Bach. | 32p | |||||
| | 112. | Nishihara, Minoru | Bach no Kyutei Seikatsu. | BachZenshu | 6 | 166-176 | |||
| | 113. | Ohara, Mayumi | Bach-ke no 'Kazoku no Shozo'. | BachZenshu | 8 | 112-121 | |||
| | 114. | Nishihara, Minoru | Bach no Shogai: 19-Seiki Kindai ni okeru Bach no Egakarekata. | BachZenshu | 10 | 192-206 | |||
| | 115. | Setaka, Michisuke | Countertenor no 3tsu no Dojo. | BCJ | 34 | [16-19] | |||
| | 116. | Yamashita, Michiko | Leipzig to Bach no Kantoru Shunin. | BCJ | 35 | 20-25 | |||
| | 117. | Kopiez, Reinhard; Barthelmes, Barbara; Gembris, Heiner; Kloppenburg, Josef; Loesch, Heinz von; Neuhoff, Hans; Rotter, Gunther; Schmidt, Christian Martin | Musikwissenschaft zwischen Kunst, Ästhetik und Experiment: Festschrift Helga de la Motte-Haber zum 60. Geburtstag. | [fs]Motte-Haber60 | xxx, 670p | ||||
| | 118. | Zorilova, Ljudmila S.; Sidorova, Margarita Borisovna (eds.) | Muzykal'naja pedagogika: Ispolnitel'stvo. III. | MuzykalnajaPedagIspol | 3 | 105p | |||
| | 119. | Lamla, Michael H. | Musical Books of Patterns in Seventeenth-Century Italy. | [p]SSCM_Illinois | |||||
| | 120. | Videla, Mario | Albert Schweitzer, el organista. | RadioClasica | 10 | 115 | 35-38 | ||
 | 121. | Ulloa, Mário | Gavotte I BWV 995: redução e performance musical. | Urucungo | 1 | 1 | |||
| | 122. | Yamashita, Michiko | Kuhnau to Bach ... Futari no Thomas Kantoru. | BCJ | 37 | 16-21 | |||
| | 123. | Schmidt, Christian Martin; Chailly, Riccardo; Berio, Luciano | De innerlijke tragedie van een mens. | [ce]MatthausPassion100JPKC | 10-17 | ||||
| | 124. | Schmidt, Christian Martin | De herontdekking van de Matthäus-Passion door Felix Mendelssohn Bartholdy. | [ce]MatthausPassion100JPKC | 18-21 | ||||
| | 125. | Dinglinger, Wolfgang; Schmidt, Christian Martin (eds.) | De Matthäus-Passion: 100 jaar passietraditie van het Koninklijk Concertgebouworkest. | [ce]MatthausPassion100JPKC | 174p | ||||
| | 126. | Ishikawa, Miyuki | J. S. Bach no Junankyoku oyobi Oratorio ni okeru Alto Solo no Yakuwari to Igi ni kansuru Kenkyu. | diss. | |||||
| | 127. | Szoka, Marta (ed.) | Arcana musicae. | [fs]Wesolowski | 217p | ||||
| | 128. | Khalifa, Michel | De tegenstelling vlees-geest in twee motetten van Bach. | TijdschrMtheorie | 4 | 3 | 189-205 | ||
| | 129. | Ohazama, Moriko | Waga Kokoro no BCJ. | BCJ | 43 | 25-26 | |||
| | 130. | Oniwa, Midori | BCJ to Watashi. | BCJ | 43 | 26-27 | |||
| | 131. | Taneda, Minoru | Bach to BCJ to Watashi. | BCJ | 43 | 33-34 | |||
| | 132. | Fukuda, Mitsuo | BCJ Soritsu 10-Nen, Omedeto gozaimasu. | BCJ | 43 | 42 | |||
| | 133. | Kanazawa, Masakata | J. S. Bach 7-Ban Shobu. Bach vs. Vivaldi. | [ce]Daremoiwanakatta | 126-145 | ||||
| | 134. | Kanazawa, Masakata | J. S. Bach 7-Ban Shobu. J. S. Bach vs. J. S. Bach (botsugo) | [ce]Daremoiwanakatta | 196-207 | ||||
| | 135. | Kanazawa, Masakata (ed.) | Dare mo iwanakatta 'Dai-Ensoka Bach' Kanshoho. | [ce]Daremoiwanakatta | 334p | ||||
| | 136. | Sannomiya, Masamitsu; Suzuki, Masaaki | Oboe. | [ce]GakkiHakubutsukan | 12-15 | ||||
| | 137. | Schmidt, Christian Martin | Die Wiederentdeckung der Matthäus-Passion durch Felix Mendelssohn-Bartholdy. | JbBachWoche_Dillenburg | 63-68 | ||||
| | 138. | Videla, Mario | La Biblia personal de J.S. Bach. | MusicaInvestigacion | 3 | 6 | 135-142 | ||
| | 139. | Drozdova, Marina Anatol'evna | Judina: Vzgljad na HTK. | MuzykalnajaZizn | 7 | 9-11 | |||
| | 140. | Brezneva, Irina Vâceslavovna; Malinina, Galina Mihajlovna (eds.) | Russkie muzykal'nye arhivy za rubezom, zarubeznye muzykal'nye arhivy v Rossii. | NaucnyeTrudy | 31 | 237p | |||
| | 141. | Jira, Martin | Verwendete Johann Sebastian Bach beim Komponieren der Chromatischen Fantasie und Fuge d-moll BWV 903 eine offene Temperatur? | NMwJb | 9 | 37-47 | |||
| | 142. | Blahynka, Miloslav | Reflexia Johanna Sebastiana Bacha vo filozofii 20. storoèia. | SlovenskaHudba | 26 | 4 | 417-424 | ||
| | 143. | Jira, Martin | Musikalische Temperaturen und musikalischer Satz in der Klaviermusik von J. S. Bach. | WürzburgMHistBeitr | 20 | 319p | |||
| | 144. | Yamada, Mitsugu | Bach to Rauten Klavier: Ushinawareta Gakki o motomete. | 242p | |||||
| | 145. | Yamada, Mutsugu | Bach to Lauten-Klavier: Ushinawareta Gakki o motomete. | 242p | |||||
| | 146. | Iwata, Makoto | No to ongaku. | 340p | |||||
| | 147. | Sugihara, Michio | 'R. Nak & His Tokyo Bach Band'. | BrassBul | 114 | 84-86 | |||
| | 148. | Brzoska, Matthias; Heinemann, Michael (eds.) | Die Geschichte der Musik. I: Die Musik von den Anfängen bis zum Barock. | [ce]GeschichteDerMusik | 1 | x, 395p | |||
| | 149. | Brzoska, Matthias; Heinemann, Michael (eds.) | Die Geschichte der Musik. II: Die Musik der Klassik und Romantik. | [ce]GeschichteDerMusik | 2 | 405p | |||
| | 150. | Moreno i Morera, Modest | Nun komm, der Heiden Heiland. | Filomusica | 23 | ||||
| | 151. | Waldura, Markus | Zu Johann Matthesons Lehre von den Ab- und Einschnitten der Klang-Rede. | Mtheorie | 16 | 3 | 195-219 | ||
| | 152. | Machella, Maurizio (ed.) | Opere dubbie e spurie per organo / J. S. Bach ; 1. | 41p | |||||
| | 153. | Yamada, Mitsugu | Bach no Mubanso Sakuhin no Henkyoku / Kenbanka. [1] | AnnGifuShotokuGakuenU | 41 | 127-148 | |||
| | 154. | Schmidt, Christian Martin | Zwischen Quellentreue und Werkrezeption, oder, Dem Wandel des historischen Bewußtseins ist nicht zu entkommen. | BeihEditio | 17 | 3-17 | |||
| | 155. | Kraa, Maria | Nie wahrgenommene Klänge. | [ce]BegegnungenMitBach | 130-131 | ||||
| | 156. | Bogdan, Izabela; Miernikiewicz, Patryk | 'Confessio fidei Bachiana'. Religious Experience of God in the Works of Johann Sebastian Bach. | CompostelaPrize | 2 | 205-215 | |||
| | 157. | Jira, Martin | Der Einfluß musikalischer Temperaturen auf die Komposition der franzözischen Suiten von Johann Sebastian Bach. | PubHochsMTheaterHannover | 12 | 249-254 | |||
| | 158. | Yamada, Mitsugu | Bach no Mubanso Sakuhin no Henkyoku / Kenbanka (2). | AnnGifuShotokuGakuenU | 42 | 53-71 | |||
| | 159. | Helman, Zofia; Poniatowska-Bylina, Maria | Variations sur un thème de Chopin pour piano opus 22 de Serguei Rachmaninov. | [cr]Warsaw1999 | ii: 281-291 | ||||
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